Week Eight

Oh dear, it's been a bit of a hiatus from the blog.

I'm getting into the studio, but nothing is getting close to completion yet. A glaze firing is still quite a ways off.

This vessel is part of a long line of "student homage" pieces. After being an instructor at the Benton Center for almost 20 years, student styles creep into the way one thinks. There is a little of Anthony in this piece, for sure.

Greenware vase, potentially a salt or woodfire piece - NFS

Week Seven

My little corner of the Exhibition "Half-a-Million Pots" at the Corvallis Arts Center. Jay Widmer invited Cheryl Crownover and me to show work in celebration of his 30 years of teaching at the Benton Center of LBCC. The pots I fired with him back in March were made for this show and here is a nice grouping of them all together. The two pieces in front are "Two Old Paints" - Stoneware sculpture - $900. Can you pick out the one stunning Crownover piece amongst this grouping?

Gallery shows with pedestals and nice lighting make any pot look like a keeper.

Week Six

This is a good example of how the woodfiring flames and ash can decorate a piece better than I could have imagined. The form is a simple one, with just a slight attitude. The shadowing of the ash on both sides with the bold outline marks accentuate its pose. This was my gallery piece at Showcase because it turned out my favorite from the last firing.
Tall stoneware vase - NFS.

Week Five

This vase came out of the last firing getting ready for the pottery show in Portland. The handle got squished funny while I was rolling it out, and I decided to attach it as it was. It's funny how a small modification can spice up an old standard form.
About 12" tall - $55

Week Four

This woodfired vessel was used in the Ikebana Display at last weekend's pottery show. A Sogetsu artist finished it with this lovely simple arrangement. It doesn't take a lot of expensive flowers--just a good eye with the right floral materials.
This piece is about 22" long - $175.

Below is one of my "Split Vases" with an arrangement and an example of how they look without flowers. I enjoy making these odd vessels that need to be finished with flowers. It's interactive and gives me great joy to see how they are used. Beginning arrangers shouldn't be afraid of them because they make arranging fun.
14" tall - $175.

Week Three

I've got a show coming up at the Convention Center in Portland (26th Annual Ceramic Showcase with 200 other potters-April 25-27, 2008) and at The Arts Center, Corvallis, (April 23-May 20) but unfortunately this lovely little pot won't be amongst the wares. A slight hairline crack that didn't go all the way through, opened up in the firing even with a good sealer glaze inside. I liked this piece too much to not fire it, but knew better. I just have to use a liner so I can enjoy it at home, or yet another "garden pot". I seem to make a lot of those.
NFS porcelain pot.

More Brown Pots

This pot should've come out lighter with warm waves of orange colors. Instead, I'm learning to appreciate how the flames licked around the sides and left hot ash deposits with just a hint of fumed redish orange undulating in the center.

Why do we love these little brown pots so? Because of the toil, vapor, ash and heat that put each and every mark there. The flame keeps informing us just what shaped pots we should make. And so we make rounder shoulders and fatter bellies or use different clay bodies and stack our wares just so to get the ash to paint beautifully on our works. Of course there are disappointments, but sometimes a few months down the road even those pieces tell us something about what to make next.
"Oval Vase" - $200.