How to be Extreme...?

Big pile of scraps after cutting out a bunch of items. Thought, hey, maybe I should do something for the Ceramic Guild's Extreme Show with these, or in other words, attempt to PLAY with clay instead of just make stuff.

If I lived in Opposite World I would be making cutesy very saleable items with little hearts all over them. So, picked up a lump and started making what I hoped was a stylish heart.

THEN, mid-way I flipped it over and saw this little lovely:

Spent the rest of the day making Scrap-Pile Hearts allowing their humble beginnings to show. It was fun and totally different than my regular fare. Will see where this takes me...

Rainy Thursday Musings

When a gallery owner invites one to be in a show and has a special request for a certain type of work, I'm not one to turn her down. Show opportunities are too few and far between.

The challenge is how to put a NEW spin on an old form. My stacking sculptures began as a way to create some organic shapes, get out the bright low-fire glazes and brushes and just have fun with how it all came together. I've never meant for them to be art per se, but last year I did challenge myself a bit more with the forms.

Now I'm working on the first stacker for the show with the idea of making some crisper shapes and slightly more complex forms. Here's how it's going so far. The base flower shape reminds me of a cock's comb, so think a top knot will have to repeat it on top. Last year I made some interlocking shapes that have become more refined and will have centerpieces rather than interlock since shrinkage and warping didn't play out too well.

So many possibilities for stacker number two.

What Inspires Us

Ahhh, Europe. No matter which way you turn there is art staring right back at you. Cornices, bridges, on the floor, in the cobblestone, lighting up above. I got to spend two fabulous weeks having time to walk about new streets and sit staring at the clouds passing by.

Perhaps our own home surroundings are just as full-o-art but we just don't have the time to see it as we zoom by. I'll try and keep on the look out more now that I'm back home.

Photos Below:
Bug eating plant at De Hortus horticulture gardens, Amsterdam.
Bridge on the canal, Amsterdam.

"Gluttony??" Small carving on a pew at the Oude Kerk, Amsterdam.

Low-tech fancy lighting at an art show in Paris.

Floor of the Grand Palais, Paris, juxtaposed to some artwork at same show.

Phase One of a New Series

This form, created a couple weeks ago, was bisque fired and received some color via oil paints mixed with cold wax medium. Hard to see in these photos, but when dry, the surface was buffed to a nice waxy sheen. Feels nice. Kept the colors simple. At some point it came to me that I was painting the colors of a big egg--one with concentric hollows inside.

WIred it up using some little tin weights from the fishing supply store and should've taken a photo with just the wire web before adding the tissue. But, impatient person that I am working in fits and starts, I just wanted to get down to adding the paper. First thought was using some old letters on air-gramme paper. Nice with the text on it but not thin enough. Next, tried my old high school graduation present bible's tissue paper pages, cutting out the GENESIS of the first page. (Calling Dr. Freud!). Still a little too thick. Settled on some tissue wrapping paper with some bits of text added for good measure.

It's funny when a piece is filled with so much symbology that just happened due to the materials on hand. As the start of a new series of work, an egg-shaped Genesis is pretty funny as well as apropo.

Expanding an Idea

Behold... something new from the studio. (Ha! doesn't it feel that monumental some days!)

These are first editions for The Arts Center's Portals show later on this year.

Last month attended the mini-workshop hosted by Gale Everett-Stahlke of the StickStones PaperStew Blog. She showed how to create wire sculptures with either layered paper or gut skins. It was a process that I thought could be a nice variation on the "inside/outside" theme I've toyed with over the years on the sculptures with 23k gold leaf (see example below).

Anyhoo, these two porcelain beauties have had some holes made in them for wiring up after they've been fired. Both were pinch pots that just grew organically as I pinched. On the first one I tried to smooth out my finger marks and on the second one I accentuated them. I'm going to low-fire cook them so that the clay will accept some cold wax/oil paint treatment after they've been fired.

Will be interesting to see where this goes from here.

Potters, pottery everywhere...

Just became a part of the Studio Potters Team on Etsy and it's an association/community that feels very nice.

Some fantastic work being done by so many of the potters whose work I'm now getting to know. And since joining this team the traffic back and forth and sharing has been phenomenal. Yikes, I can't keep up!

Yesterday my "Meditation" was included in a Treasury of work featuring Eva Funderburgh who makes the most incredible wood-fired sculpture you'll see almost anywhere. I hope you'll give a gander and then go to Eva's Shop, Woodfired Beasts.

What Inspires Us?

Walking the Iron Mtn/Cone Peak Trails in the Cascades over the weekend we came upon this wonderful tangle of peeled sticks. They had been jammed up when the stream was running high and were left high and dry by the time we passed. Could I or any other human have created a nicer sculpture than this one the water made as it smashed twigs and rocks up against this tree root? Then juxtaposed with more roots in the background and the jagged basalt rocks to the side, it was just a photo op waiting to be snapped.

Sorry the photos is a little fuzzy...

I often wonder what type of sculpture I could make to respond to this, but it would take some wire and twigs and other detris instead of clay, I think.